STATE OF THE ART DRUM SCAN AND IMAGING POSTPRODUCTION SERVICE
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STATE OF THE ART DRUM SCAN AND IMAGING POSTPRODUCTION SERVICE
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A good scan is the first key to get great prints and the best way to save your photo archive.
Our commitment is to provide the highest quality scans on the market from transparent originals, slides or negatives, color or black and white, or from reflective originals, up to size 53.8 x 60 cm (21.2"x 23.6") .
To achieve this quality we use a Dainippon Screen SG-8060P Mark II drum scanner, probably the best scanner ever built, which flanks the valuable Dainippon Screen DT-S 1045AI and Imacon 848.
However, using the best high-end scanners is not enough:
It's in the scanning technique (calibration, inversion from negative to positive, etc.) and subsequent digital processing of the same that we believe that our unique ORIGINAL COLOR INTEGRITY PROCESSING acquisition protocol, fully manual at every stage, stands out compared to other services offered by photolithographies and photo labs.
Just few simple examples:
1. In drum scanning color negatives we do not use standardized profiles for the inversion provided by the software for each specific film - which don't consider variables such as type of development, level of exposure, type of light etc. - and we even avoid any system of "artificial intelligence" or other functions provided by semi-automatic scanning softwares;instead we carry out the inversion in a fully manual workflow for each individual image.
2. We avoid the use of Flexcolor to manage the scans from Imacon because we believe that our completely different workflow and alternative software provide much better results, which we can prove with absolute evidence.
Scanning is an art and a science: as a conductor guiding an orchestra, an experienced operator scanner must be able to get the highest quality from all components of the hardware / software to get great scans, reconciling absolute technical expertise and artistic sensitivity.
Combining the expertise of a drum scanner operator by photolithography, the professionalism and sensitivity of a photographer and full mastery of post-production, Castorscan's Marco Campanini will take care of your originals to achieve the maximum quality according to your specific needs.
These are the assumptions on which we develop our work and that allow us to collaborate with many professionists and masters of photography and publishers internationally.
Our clients are photographers, artists, architects, advertising agencies, art galleries, etc. ... requiring the highest quality service at a competitive price.
CastorScan uses some of the best scanners in circulation, Dainippon Screen SG-8060P Mark II, probably the best scanner in the world, Dainippon Screen DT-S 1045AI, a drum scanner that is famous for its performances, and Imacon 848, a CCD scanner, a so-called "virtual drum" using the 3F scanning system.
The image quality offered by our Dainippon Screen scanners is much higher than that achievable with the best flatbed scanners or filmscanners dedicated and superior to that of scanners so-called "virtual drum" Imacon – Hasselblad,) and, of course, vastly superior to that amateur or prosumer obtained with scanners such as Epson V750 etc ...
Some of the features that make the quality of our drum scanners better than any other existing scan system include:
The scans performed on a drum scanner are famous for their detail, depth and realism, and allow the highest quality of capture possible.
Scans are much cleaner and show fewer imperfections than scans obtained from CCD scanners, and thus save many hours of cleaning and spotting in postproduction.
Image acquisition by the drum scanner is optically similar to using a microscopic lens that scans the image point by point with extreme precision and without deformation or distortion of any kind, while other scanners use enlarger lenses (such as the Rodenstock-Linos Magnagon 75mm f8 used in the Hasselblad-Imacon scanners) and have transmission systems with rubber bands: this involves mild but effective micro-strain and micro-geometric image distortions and quality is not uniform between the center and edges.
Drum scanners are exempt from problems of flatness of the originals, since the same are mounted on a perfectly blanced transparent acrylic drum; on the contrary, the dedicated film scanners that scan slides or negatives in their plastic frames are subject to quite significant inaccuracies, as well as the Imacon-Hasselblad scanners, which have their own rubber and plastic holders: they do not guarantee the perfect flatness of the original and therefore a uniform definition between center and edge, especially with medium and large size originals, which instead are guaranteed by drum scanners.
Again, drum scanners allow scanning at high resolution over the entire surface of the cylinder, while for example the Hasselblad Imacon scans are limited to 3200 dpi in 120 format and 2000 dpi in 4x5" format (the resolution of nearly every CCD scanner in the market drops as the size of the original scanned is increased).
Drum scanners allow complete scanning of the whole negative, including the black-orange mask, perforations etc, while using many other scanners a certain percentage of the image is lost because it is covered by frames or holders.
Drum scanners use photomultiplier tubes to record the light signal, which are much more sensitive than CCDs and can record many more nuances and variations in contrast with a lower digital noise.
If you look at a monitor at 100% the detail in shadows and darker areas of a scan made with a CCD scanner, you will notice that the details are not recorded in a clear and clean way, and the colors are more opaque and less differentiated. Additionally the overall tones are much less rich and differentiated.
At this point we would like to say a few words about an unscrupulous and deceitful use of technical specifications reported by many manufacturers of consumer and prosumer scanners; very often we read of scanners that promise cheap or relatively cheap “drum scanner” resolutions, 16 bits of color depth, extremely high DMAX: we would like to say that these “nominal” resolutions do not correspond to an actual optical resolution, so that even in low-resolution scanning you can see an enormous gap between drum scanners and these scanners in terms of detail, as well as in terms of DMAX, color range, realism, “quality” of grain. So very often when using these consumer-prosumer scanners at high resolutions, it is normal to get a disproportionate increase of file size in MB but not an increase of detail and quality.
To give a concrete example: a drum scan of a 24x36mm color negative film at 3500 dpi is much more defined than a scan made with mostly CCD scanner at 8000 dpi and a drum scan at 2500 dpi is dramatically clearer than a scan at 2500 dpi provided by a CCD scanner. So be aware and careful with incorrect advertisement.
Scans can be performed either dry or liquid-mounted. The wet mounting further improves cleanliness (helps to hide dirt, scratches and blemishes) and plasticity of the image without compromising the original, and in addition by mounting with liquid the film grain is greatly reduced and it )what? the image, the scan?) looks much softer and more pleasant than the usual "harsh" grain resulting from dry scans.
We use Kami SMF 2001 liquid to mount the transparencies and Kami RC 2001 for cleaning the same. Kami SMF 2001 evaporates without leaving traces, unlike the traditional oil scans, ensuring maximum protection for your film. Out of ignorance some people prefer to avoid liquid scanning because they fear that their films will be dirty or damaged: this argument may be plausible only in reference to scans made using mineral oils, which have nothing to do with the specific professional products we use.
We strongly reiterate that your original is in no way compromised by our scanning liquid and will return as you have shipped it, if not cleaner.
With respect to scanning from slides:
Our scanners are carefully calibrated with the finest IT8 calibration targets in circulation in order to ensure that each scan faithfully reproduces the original color richness even in the most subtle nuances, opening and maintaining detail in shadows and highlights. These color profiles allow our scanners to realize their full potential, so we believe that even from a chromatic point of view our scans are noticeably better than similar scans made by mostly other scan services in the market.
In addition, we remind you that a drum scanner is able to read the deepest shadows of slides without digital noise and with much more detail than CCD scanners; also, the color range and color realism are far better.
With respect to scanning from color and bw negatives: we want to emphasize the superiority of our drum scans not only in scanning slides, but also in color and bw negative scanning (because of the orange mask and of very low contrast is impossible for any ccd scanner to read the very slight tonal and contrast nuances in the color negative, while the drum scanner – also through the analog gain/white calibration - can give back much more realistic images and true colors, sharper and more three-dimensional).
More unique than rare, we do not use standardized profiles provided by the software to invert each specific negative film, because they do not take into account parameters and variables such as the type of development, the level of exposure, the type of light etc.,; at the same time we also avoid systems of "artificial intelligence" or other functions provided by semi-automatic scanning softwares, but instead we carry out the inversion in a full manual workflow for each individual picture.
In addition, we do not use the Imacon-Hasselblad proprietary software - Flexcolor – to make color management and color inversion because we strongly believe that our alternative workflow provides much better results, and we are able to prove it with absolute clarity.
At each stage of the process we take care of meticulously adjusting the scanning parameters to the characteristics of the originals, to extrapolate the whole range of information possible from any image without "burning" or reductions in the tonal range, and strictly according to our customer's demand and taste.
By default, we do not apply unsharp mask (USM) in our scans, except on request.
To scan reflective originals we follow the same guidelines and guarantee the same quality standard.
We guarantee the utmost thoroughness and expertise in the work of scanning and handling of the originals and we provide scans up to 12,000 dpi of resolution, at 16-bit, in RGB, GRAYSCALE, LAB or CMYK color mode; unless otherwise indicated, files are saved with Adobe RGB 1998 color profile: alternatively, we use mostly DonRGB4 and Ekta Space PS5 color profiles.
The prices include the mastering of the CD or DVD.
35mm slides will be removed from the mounts to be scanned.
The postage to Castorscan is charged to the customer.
The cost of packing and forwarding to the customer will be charged at the time of purchase (18 Euros for a parcel up to 30kg shipped to Italy, 25 Euro for foreign countries).
Post-processing services for raw and tiff files, according to specific customer requirements. You send us your files and they will be processed with the most advanced post-production techniques according to your specifications and your personal taste.
Color calibration (creation of ICC profiles etc) for professional CCD and PMT scanners.
Hardware and software support, maintenance and repair of drum scanners.
Hardware and software support, maintenance and repair of Hasselblad Imacon scanners.
Training to the use of Hasselblad-Imacon scanners.
Support and tutoring on scanning systems, acquisition, conversion and photo-editing.
Consulting on systems of analog and digital photography.
DAINIPPON SCREEN SUPER GENASCAN SG-8060P Mark II drum scanner
Very probably the best scanner in the world. 480 kg of high-end, state of the art quality.
Extremely high DMAX, resolution up to 12,000 dpi at 16-bit, 14-bit A/D conversion, maximum penetration of the shadows and reduction of digital noise and grain by using a special 75W Xenon lamp.
Maximum scanning size: 53.8 x 60 cm (21.2" x 23.6").
In the world of digital scanning it is not possible to obtain a higher quality than that achieved by this unsurpassed scanner, from reflective and transparent originals, negatives or slides, color or bw.
Scans can be performed either dry (with or without anti-Newton spray) or wet mounted. The wet mounting improves cleanliness (helps to hide dirt, scratches and blemishes) and plasticity of the image without compromising the original in any way. For mounting the originals we use the specific Kami SMF 2001 and we use Kami CR 2001 for cleaning the same; they evaporate without leaving traces, unlike the traditional mineral oils.
DAINIPPON SCREEN DT-S 1045AI drum scanner
The Dainippon Screen DT-S 1045AI drum scanner is considered one of the best scanners ever made. This high precision machine provides high-quality scans from transparent originals, slides or negatives, or reflective ones, color or black and white, up to size 12x17" (305 mm x 432 mm): the maximum output is at 8000 dpi at 16 bit, in RGB or CMYK. The image quality offered is far superior to that achievable with the best filmscanners and flatbed scanners, and is characterized by unparalleled realism, detail and depth for uncompromised results.
Unlike many other drum scanners it ensures perfect images from any color negative film. Scans can be performed either dry (with or without anti-Newton spray) or wet mounted. The wet mounting improves cleanliness (helps to hide dirt, scratches and blemishes) and plasticity of the image without compromising the original in any way. For mounting the originals we use the specific Kami SMF 2001 and we use Kami CR 2001 for cleaning the same; they evaporate without leaving traces, unlike the traditional mineral oils.
IMACON 848 “virtual drum” ccd scanner
The Imacon 848 “virtual drum” scanner is one of the highest performing CCD scanners in the world, capable of providing high-quality scans from both negatives and slides, from 35mm to 13x18cm. It is a machine that can meet high quality standards/demands and is located in an intermediate quality level between drum scanners and other CCD scanners.
It uses the same Kodak CCD sensor than Imacon 949 and Hasselblad X5, but it can accept originals up to size 13x18 cm (5x7 inches), instead of 10x12 cm (4x5 inches) accepted by 949 and X5; we point out that the 848 has a different optical performance than Imacon 949 and Hasselblad X5, more analytical and incised: 949 and X5 have a different lamp and a diffuser that is used to partially reduce the scratches and marks on the scans, to allow laboratories to save time in post-production and clean images, but that diffuser also slightly reduces the detail in the scans.
Imacon 848 scanner makes use of the 3F(Flexible File Format) scanning system, exclusive of Hasselblad / Imacon. A scan is saved as a sort of RAW image that contains all the original information captured by the scanner from an original slide or negative regardless of the settings set by the operator.
Then, using FlexColor software, similar to what you do with a raw file in Camera Raw, photographers can apply to 3F scans all color corrections, brightness, contrast, unsharp mask, etc. ... that they prefer.
For each scan CastorScan provides the 3F file to the customer and the associated TIFF file, in addition to software and user manuals.
However, we want to emphasize that to get the final TIFF files we do NOT use Flexcolor, but on the contrary we use our own unique color management and color reversal system because we strongly believe that our workflow provides far superior results, which we can prove with absolute clarity.
PIXEL E RISOLUZIONE:
Le immagini digitali (raster) sono matrici di pixel.
Il pixel è l'unità più piccola attraverso la quale è possibile misurare
l'informazione di un'immagine digitale.
I pixel sono caratterizzati da quattro proprietà fondamentali:
Tutti i pixel contenuti in un'immagine digitale hanno dimensioni identiche. La loro dimensione è determinata dalla risoluzione cui l'immagine viene digitalizzata. Per esempio, 600 ppi (points per inch) indica che ciascun pixel misura 1/600 di pollice (1 pollice = 2,54 cm). L'illusione dei toni continui si ottiene quando i pixel sono di piccola dimensione, e quelli adiacenti variano leggermente tra di loro.
Linee guida per la scelta della risoluzione:
TECNOLOGIE DI ACQUISIZIONE:
I sensori sensibili alla luce che equipaggiano gli scanner sono essenzialmente di due tipi:
Fotomoltiplicatori PMT (PhotoMultiplier Tubes):
Si tratta di una tecnologia molto costosa, che tuttavia permette di ottenere risultati superiori nella lettura dei dettagli. Inoltre, essi consentono di ottenere un segnale in uscita con basso disturbo e di rilevare quantità di luce infinitesimali. Gli elettroni emessi quando la luce colpisce il catodo del fotomoltiplicatore viaggiano attraverso strati di diodi, che a loro volta emettono ulteriori elettroni amplificandoli fino al punto in cui la luce può essere convertita in segnale elettrico. Vengono utilizzati in spettrofotometria e in altri sistemi industriali di misurazione. Questi sensori equipaggiano gli scanner a tamburo.
CCD (Charged-Coupled Devices):
Elementi elettronici allo stato solido, composti da minuscoli sensori, che possono generare una differenza di potenziale proporzionale alla luce che li colpisce. Di solito sono disposti su una matrice lineare o su 3 matrici lineari. Esistono vari tipi di CCD, classificati in base alla loro sensibilità ai livelli di luce, e ai disturbi elettrici. Equipaggiano gli scanner piani, gli scanner dedicati per diapositive e negativi, gli scanner Imacon a tamburo virtuale.
Esistono anche sensori a contatto CIS (Contact Image Sensor), una tecnologia semplificata che consente di acquisire immagini utilizzando un'unica fila di sensori posizionati molto vicino all'immagine.
I convertitori A/D:
Un ruolo molto importante rivestono anche i convertitori analogico digitale (A/D Converter), che elaborano i segnali di corrente analogici per trasformarli in informazioni digitali.
CALIBRAZIONE:
Processo di calibrazione:
I nostri scanner sono accuratamente calibrati al fine di garantire che ogni scansione riproduca fedelmente la ricchezza cromatica degli originali fin nelle più impercettibili sfumature.
NORMATIVE E STANDARD:
ISO 3664 Viewing Conditions- For Graphic Technology and Photography.
ISO 12646 Graphic Technology – Displays for Colour Proofing – Characteristics and Viewing Conditions.
Norme ICCD 1998 sulla digitalizzazione fotografica.
Revisione delle stesse svolta nel 2003 a curadella Regione Lombardia.
Linee di indirizzo definite nel corso del 2004 acura del gruppo di lavoro coordinato dall'ICCU.
Technical Guidelines for Digitizing Archival Materials for Electronic Access: Creation of Production Master Files – Raster Images, written by Steven Puglia, Jeffrey Reed, and Erin Rhodes, U.S. National Archives and Records Administration (NARA), June 2004 http://www.archives.gov/preservation/technical/guidelines.pdf
Records transfer guidance for scanned photographs and digital photography image files - http://www.archives.gov/records_management/initiatives/digital_photo_records.html
The NINCH Guide to Good Practice in the Digital Representation and Management of Cultural Heritage Materials, Humanities Advanced Technology and Information Institute, University of Glasgow,
and National Initiative for a Networked Cultural Heritage, available at – http://www.nyu.edu/its/humanities/ninchguide/VI/
Guides to Quality in Visual Resource Imaging, Digital Library Federation and Research Libraries Group, July 2000
• Guide 2 – "Selecting a Scanner" by Don Williams
• Guide 3 – "Imaging Systems: the Range of Factors Affecting Image Quality" by Donald D'Amato
• Guide 4 – "Measuring Quality of Digital Masters" by Franziska Frey
Digital Imaging for Photographic Collections by Franziska Frey and James Reilly, Image Permanence Institute, 1999
Image Capture Beyond 24-bit RGB, by Donald Brown, Eastman Kodak, in RLG DigiNews, Vol. 3, No. 5, Oct. 15, 1999
Real World Color Management, by Bruce Fraser, Chris Murphy, and Fred Bunting, Peachpit Press, Berkeley, CA, 2003
35mm slides will be removed from the mounts to be scanned.
The postage to Castorscan is charged to the customer.
The costs of packing and forwarding to the customer will be charged at the time of purchase (18 Euros for a parcel up to 30kg shipped to Italy, 25 euro for foreign countries).
Prices are per RGB color scans; scans in black and white will weigh about 1 / 3 of color scans and the price of color scans of the same resolution will be applied.
Discounts are available for quantities of more than 10 scans.
Request a quote for any further offers and to arrange the delivery time by calling 338.2378726 or by sending an email to: info@castorscan.com
"RAW" SCANS (with basic corrections of the levels of brightness, color, contrast, etc.)
IMACON 848
(3F and TIFF files, CMYK or RGB, 16bit; ability to scan originals up to size 13x18 cm, resolution up to 8000 DPI for 35 mm and 3000 DPI for 120/220 format)
up to 10 MB 16 BIT = 5 Euros + VAT
up to 50 MB 16 BIT = 10 Euro + VAT
up to 100 MB 16 BIT = 15 Euro + VAT
up to 300 MB 16 BIT = 18 Euro + VAT
more than 300 MB 16 BIT = 23 Euro + VAT
DAINIPPON SCREEN DT-S 1045AI drum scanner
(output files in TIFF format, CMYK or RGB, 16bit; ability to scan originals in sizes up to 12"x17" (305 mm x 432 mm), resolution up to 8000 DPI)
DRY SCANS OR WITH ANTI-NEWTON SPRAY:
up to 10 MB 16 BIT = 13 Euro + VAT
up to 25 MB 16 BIT = 19 Euro + VAT
up to 50 MB 16 BIT = 29 Euro + VAT
up to 100 MB 16 BIT = 44 Euro + VAT
up to 150 MB 16 BIT = 51 Euro + VAT
up to 200 MB 16 BIT = 55 Euro + VAT
up to 350 MB 16 BIT = 69 Euro + VAT
up to 500 MB 16 BIT = 78 Euro + VAT
more than 500 MB 16 BIT = price on request
SCANS WET MOUNTED WITH KAMI SMF 2001:
up to 10 MB 16 BIT = 15 Euro + VAT
up to 25 MB 16 BIT = 21 Euro + VAT
up to 50 MB 16 BIT = 32 Euro + VAT
up to 100 MB 16 BIT = 46 Euro + VAT
up to 150 MB 16 BIT = 53 Euro + VAT
up to 200 MB 16 BIT = 57 Euro + VAT
up to 350 MB 16 BIT = 72 Euro + VAT
up to 500 MB 16 BIT = 81 Euro + VAT
more than 500 MB 16 BIT = price on request
DAINIPPON SCREEN SUPER GENASCAN - 8060P Mark II
(Output files in TIFF format, CMYK or RGB, 16bit; ability to scan originals in sizes up to 53.8 x 60 cm (21.2" x 23.6") resolution up to 12,000 DPI)
DRY SCANS OR WITH ANTI-NEWTON SPRAY:
up to 10 MB 16 BIT = 18 Euros + VAT
up to 25 MB 16 BIT = 25 Euro + VAT
up to 50 MB 16 BIT = 37 Euro + VAT
up to 100 MB 16 BIT = 51 Euro + VAT
up to 150 MB 16 BIT = 59 Euro + VAT
up to 200 MB 16 BIT = 64 Euro + VAT
up to 350 MB 16 BIT = 78 Euro + VAT
up to 500 MB 16 BIT = 89 Euro + VAT
more than 500 MB 16 BIT = price on request
SCANS WET MOUNTED WITH KAMI SMF 2001:
up to 10 MB 16 BIT = 19 Euro + VAT
up to 25 MB 16 BIT = 26 Euro + VAT
up to 50 MB 16 BIT = 38 Euro + VAT
up to 100 MB 16 BIT = 52 Euro + VAT
up to 150 MB 16 BIT = 61 Euro + VAT
up to 200 MB 16 BIT = 66 Euro + VAT
up to 350 MB 16 BIT = 81 Euro + VAT
up to 500 MB 16 BIT = 91 Euro + VAT
more than 500 MB 16 BIT = price on request
“FINE ART” SCANS (with advanced correction of levels of brightness, color, contrast, etc. and accurate spotting and cleaning)
IMACON 848
(3F and TIFF files, CMYK or RGB, 16bit; ability to scan originals up to size 13x18 cm, resolution up to 8000 DPI for 35 mm and 3000 DPI for 120/220 format)
up to 10 MB 16 BIT = 8 Euros + VAT
up to 25 MB 16 BIT = 10 Euro + VAT
up to 50 MB 16 BIT = 18 Euro + VAT
up to 100 MB 16 BIT = 26 Euro + VAT
up to 150 MB 16 BIT = 34 Euro + VAT
up to 200 MB 16 BIT = 42 Euro + VAT
up to 250 MB 16 BIT = 52 Euro + VAT
up to 300 MB 16 BIT = 56 Euro + VAT
more than 300 MB 16 BIT = 62 Euro + VAT
DAINIPPON SCREEN DT-S 1045AI drum scanner
(output files in TIFF format, CMYK or RGB, 16bit; ability to scan originals in sizes up to 12"x17" (305 mm x 432 mm), resolution up to 8000 DPI)
DRY SCANS OR WITH ANTI-NEWTON SPRAY:
up to 10 MB 16 BIT = 19 Euro + VAT
up to 25 MB 16 BIT = 29 Euro + VAT
up to 50 MB 16 BIT = 47 Euro + VAT
up to 100 MB 16 BIT = 62 Euro + VAT
up to 150 MB 16 BIT = 69 Euro + VAT
up to 200 MB 16 BIT = 74 Euro + VAT
up to 250 MB 16 BIT = 79 Euro + VAT
up to 300 MB 16 BIT = 86 Euro + VAT
up to 350 MB 16 BIT = 93 Euro + VAT
up to 500 MB 16 BIT = 104 Euro + VAT
more than 500 MB 16 BIT = price on request
SCANS WET MOUNTED WITH KAMI SMF 2001:
up to 10 MB 16 BIT = 22 Euro + VAT
up to 25 MB 16 BIT = 32 Euro + VAT
up to 50 MB 16 BIT = 49 Euro + VAT
up to 100 MB 16 BIT = 65 Euro + VAT
up to 150 MB 16 BIT = 71 Euro + VAT
up to 200 MB 16 BIT = 78 Euro + VAT
up to 250 MB 16 BIT = 83 Euro + VAT
up to 300 MB 16 BIT = 91 Euro + VAT
up to 350 MB 16 BIT = 97 Euro + VAT
up to 500 MB 16 BIT = 109 Euro + VAT
more than 500 MB 16 BIT = price on request
DAINIPPON SCREEN SUPER GENASCAN - 8060P Mark II
(Output files in TIFF format, CMYK or RGB, 16bit; ability to scan originals in sizes up to 53.8 x 60 cm (21.2" x 23.6") resolution up to 12,000 DPI)
DRY SCANS OR WITH ANTI-NEWTON SPRAY:
up to 10 MB 16 BIT = 27 Euro + VAT
up to 25 MB 16 BIT = 36 Euro + VAT
up to 50 MB 16 BIT = 55 Euro + VAT
up to 100 MB 16 BIT = 71 Euro + VAT
up to 150 MB 16 BIT = 77 Euro + VAT
up to 200 MB 16 BIT = 85 Euro + VAT
up to 250 MB 16 BIT = 92 Euro + VAT
up to 300 MB 16 BIT = 97 Euro + VAT
up to 350 MB 16 BIT = 105 Euro + VAT
up to 500 MB 16 BIT = 118 Euro + VAT
more than 500 MB 16 BIT = price on request
SCANS WET MOUNTED WITH KAMI SMF 2001:
up to 10 MB 16 BIT = 30 Euro + VAT
up to 25 MB 16 BIT = 39 Euro + VAT
up to 50 MB 16 BIT = 59 Euro + VAT
up to 100 MB 16 BIT = 74 Euro + VAT
up to 150 MB 16 BIT = 82 Euro + VAT
up to 200 MB 16 BIT = 92 Euro + VAT
up to 250 MB 16 BIT = 96 Euro + VAT
up to 300 MB 16 BIT = 103 Euro + VAT
up to 350 MB 16 BIT = 111 Euro + VAT
up to 500 MB 16 BIT = 123 Euro + VAT
more than 500 MB 16 BIT = price on request
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CastorScan
Skype contact: castorscan Tel: 0039.338.2378726 |
